<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Chintan</title><link>/</link><description>Recent content on Chintan</description><generator>Hugo</generator><language>en-us</language><lastBuildDate>Tue, 14 Apr 2026 00:00:00 +0000</lastBuildDate><atom:link href="/index.xml" rel="self" type="application/rss+xml"/><item><title>Why actors' pupils dilate on camera</title><link>/notes/dilated-pupils/</link><pubDate>Tue, 14 Apr 2026 00:00:00 +0000</pubDate><guid>/notes/dilated-pupils/</guid><description>&lt;p&gt;Have you ever noticed that in close-up reaction shots, an actor&amp;rsquo;s pupils often dilate noticeably right at the emotional climax?&lt;/p&gt;
&lt;p&gt;It turns out this isn&amp;rsquo;t usually just incredible acting. It&amp;rsquo;s a physiological response to the scene&amp;rsquo;s emotional weight, sure, but sometimes the lighting crew actually uses a trick. By subtly shaping the key light or reducing fill during a take, they force the pupil to adjust to the darker environment exactly on cue.&lt;/p&gt;</description></item><item><title>LLMs are compilers that forgot their type system</title><link>/essays/llms-as-compilers/</link><pubDate>Thu, 02 Apr 2026 00:00:00 +0000</pubDate><guid>/essays/llms-as-compilers/</guid><description>&lt;p&gt;very few years I find myself reaching for the same metaphor, and every few years it breaks in a new place. Right now the metaphor is this: large language models are compilers that forgot their type system.&lt;/p&gt;
&lt;p&gt;We feed them prompts instead of well-defined ASTs. They output streams of tokens instead of predictable machine code. The result is a magical layer of abstraction that works 90% of the time, and fails spectacularly during the last 10%.&lt;/p&gt;</description></item><item><title>About</title><link>/about/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>/about/</guid><description>&lt;p&gt;I write here once or twice a month — one long essay and one shorter note. The rhythm matters more than the volume.&lt;/p&gt;
&lt;p&gt;Most of it is about language models, speech and voice interfaces, and the parts of software engineering that still feel unsolved to me. Sometimes it’s just something I noticed: why an actor’s pupils are dilated in a reaction shot, or why I keep changing keyboard layouts.&lt;/p&gt;
&lt;p&gt;You can get new posts by &lt;a href="#"&gt;email&lt;/a&gt; or follow the &lt;a href="/index.xml"&gt;RSS feed&lt;/a&gt;. I don’t track you, and there are no third-party scripts on this site.&lt;/p&gt;</description></item></channel></rss>